{"id":274,"date":"2016-05-07T03:22:22","date_gmt":"2016-05-07T03:22:22","guid":{"rendered":"http:\/\/rmwhittaker.com\/?p=274"},"modified":"2016-04-26T05:14:11","modified_gmt":"2016-04-26T05:14:11","slug":"interview-bill-moseley-2015","status":"publish","type":"post","link":"http:\/\/rmwhittaker.com\/index.php\/2016\/05\/07\/interview-bill-moseley-2015\/","title":{"rendered":"Interview: Bill Moseley (2015)"},"content":{"rendered":"<figure id=\"attachment_276\" aria-describedby=\"caption-attachment-276\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/rmwhittaker.com\/wp-content\/uploads\/2016\/04\/IMG_1710.jpg\"><img loading=\"lazy\" class=\"size-medium wp-image-276\" src=\"http:\/\/rmwhittaker.com\/wp-content\/uploads\/2016\/04\/IMG_1710-300x225.jpg\" alt=\"Bill Moseley and friend at Housecore Horror Film Festival in 2014\" width=\"300\" height=\"225\" srcset=\"http:\/\/rmwhittaker.com\/wp-content\/uploads\/2016\/04\/IMG_1710-300x225.jpg 300w, http:\/\/rmwhittaker.com\/wp-content\/uploads\/2016\/04\/IMG_1710-700x525.jpg 700w, http:\/\/rmwhittaker.com\/wp-content\/uploads\/2016\/04\/IMG_1710.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-276\" class=\"wp-caption-text\">Bill Moseley and friend at Housecore Horror Film Festival in 2014<\/figcaption><\/figure>\n<p>(Horror stars tend to be the polar opposite of their on screen persona, and none more so than Bill Moseley: the star of <i>The Texas Chainsaw Massacre 2<\/i>, <i>House of 1000 Corpses<\/i>, <i>The Devil&#8217;s Rejects<\/i>, <i>Repo! The Genetic Opera<\/i>, the remake of <i>Night of the Living Dead<\/i>, and dozens more, is infamously one of the nicest, softest-spoken members of the horror community. I had the chance to talk to him at the Housecore Horror 2015 festival about his career.)<\/p>\n<p><i><b>Richard Whittaker<\/b>: The first time I saw <\/i>House of 1000 Corpses, it was at a midnight screening at the Leeds International Film festival, and it was immediately clear that Otis was a hit. What do you think it is about him, and what you were able to bring to the part, that really affected people?<\/p>\n<p><b>Bill Moseley<\/b>: I don\u2019t really know. It\u2019s something that Rob saw in me that I did not necessarily see in myself, which was a sinister, sexy quality. There\u2019s that element that I never saw. I was more of a Chop Top guy. I always differentiated the two from centers of gravity. With Chop Top, it\u2019s all up in the shoulders. There\u2019s more of a sketchy feeling. There\u2019s the coat hanger and the lighter, I\u2019m scratching my head. It\u2019s all shoulder stuff. With Otis, it\u2019s all in the balls. It\u2019s thumbs under the belt, sitting back, \u2018fuck you.\u2019 I didn\u2019t really see that in myself, Rob did, which was very fortunate.<br \/>\n<!--more--><br \/>\nThere\u2019s also, Otis is crazy, but Otis also has family values. Otis is also kind of practical. That\u2019s the difference between the Otis of <i>House of 1000 Corpses<\/i> and the Otis of <i>The Devil\u2019s Reject<\/i>. Otis of <i>House of 1000 Corpses<\/i> is a little more spun, doing things like making poor Rainn Wilson into Fish-Boy, and having that crazy rap to the cheerleaders at the very beginning, about his brain covered with thick encrustations. But he\u2019s almost an anti-hero in <i>Devil\u2019s Rejects<\/i>. Actually, that\u2019s the only time I\u2019ve ever played the same character twice.<\/p>\n<p><i><b>RW<\/b>: You do have a habit of dying.<\/i><\/p>\n<p><b>BM<\/b>: But I\u2019ve killed a lot more than have killed me. I\u2019m way ahead in my body count.<\/p>\n<p><iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"\/\/ws-na.amazon-adsystem.com\/widgets\/q?ServiceVersion=20070822&amp;OneJS=1&amp;Operation=GetAdHtml&amp;MarketPlace=US&amp;source=ac&amp;ref=qf_sp_asin_til&amp;ad_type=product_link&amp;tracking_id=rmwhittakerco-20&amp;marketplace=amazon&amp;region=US&amp;placement=B004AC6PQW&amp;asins=B004AC6PQW&amp;linkId=ASC7KNUBETTZJN3F&amp;show_border=true&amp;link_opens_in_new_window=true\" width=\"300\" height=\"150\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><br \/>\n<\/iframe><\/p>\n<p><i><b>RW<\/b>: How much of the evolution of Otis came from you?<\/i><\/p>\n<p><b>BM<\/b>: Everything comes from Rob, in the sense that he wrote the screenplay, created the characters. What I try to do is fill in the blanks. Obviously, when you\u2019re doing a screenplay, you\u2019re doing a blue print, and after that it\u2019s just boots on the ground, so to speak, of finding out how to make the reality more practical. But we really were pretty both attuned to Otis. I remember, for instance, a good example is there\u2019s a scene where I drive up with Banjo and Sullivan, and we\u2019re at this abandoned chicken farm, just outside of Lancaster, California, and we\u2019re going to find some guns I\u2019ve buried, but I\u2019m really just going to kill them both. I pull up in the van, and then we have a long walking shot to where we have our big fight. Nothing was scripted, so Rob told me to say this line. \u201cWhy don\u2019t you say, \u2018is that your wife\u2019s pussy stink on my gun?\u2019\u201d I say, \u201cWhat?\u201d he says, \u201cYeah,\u201d and I say, \u201cOK.\u201d So I\u2019m walking along, and I say, \u201cWell, hoss, is that your wife\u2019s pussy stink on my gun?\u201d and I ad libbed, \u201cHope it don\u2019t rust the barrel,\u201d and then, \u201cIs she into that, when you puke on her?\u201d I was just goofing around.<\/p>\n<p>The big difference was that, in <i>House of 1000 Corpses<\/i>, Rob was much more tight. He wanted you to say everything he had written. So there wasn\u2019t as much improvising \u2013 at least for me. I think there was some for Sid Haig. But by the time we did <i>Devil\u2019s Rejects<\/i>, it was looser, and there was more of a sense of collaboration, more of an organic sense to the film.<\/p>\n<figure id=\"attachment_275\" aria-describedby=\"caption-attachment-275\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"http:\/\/rmwhittaker.com\/wp-content\/uploads\/2016\/04\/tcm-2.jpg\"><img loading=\"lazy\" class=\"size-medium wp-image-275\" src=\"http:\/\/rmwhittaker.com\/wp-content\/uploads\/2016\/04\/tcm-2-300x163.jpg\" alt=\"Peace, love, and mayhem: Bill Moseley as Chop Top in The Texas Chainsaw Massacre 2.\" width=\"300\" height=\"163\" srcset=\"http:\/\/rmwhittaker.com\/wp-content\/uploads\/2016\/04\/tcm-2-300x163.jpg 300w, http:\/\/rmwhittaker.com\/wp-content\/uploads\/2016\/04\/tcm-2-700x380.jpg 700w, http:\/\/rmwhittaker.com\/wp-content\/uploads\/2016\/04\/tcm-2.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-275\" class=\"wp-caption-text\">Peace, love, and mayhem: Bill Moseley as Chop Top in <i>The Texas Chainsaw Massacre 2<\/i>.<\/figcaption><\/figure>\n<p><i><b>AC<\/b>: You\u2019re in the rare position of having three iconic roles. You&#8217;ve got Luigi Largo in <\/i>Repo! The Genetic Opera, you&#8217;ve got Otis, and you&#8217;ve got Chop Top. Sometimes horror actors end up typecast, so Gunnar Hansen ended up with Leatherface over his shoulder all the time, but is it different for you knowing that, when you talk to people, they\u2019ll bring up any one of those three? And which one comes up most?<\/p>\n<p><b>BM<\/b>: I\u2019d say it\u2019s a toss-up between Otis and Chop Top, but there are a lot of Luidi Largo fans out there. There are also a lot of <i>Night of the Living Dead<\/i> fans out there. That\u2019s actually kind of a relief, that I have a lot of different characters, and some play better than other, depending on the time of year, where you are, and with whom you\u2019re speaking.<\/p>\n<p>The thing for me is it makes it easier to take different kinds of jobs, because I\u2019m not chasing that elusive iconic part any more. I just like to work, and take what\u2019s offered, and go for it. I realized, having done this so long, you just keep suiting up and showing up, you have fun with it, and yu never know if it\u2019s going to turn into something cult classic-y. I\u2019m always happy with my work.<\/p>\n<p><iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"\/\/ws-na.amazon-adsystem.com\/widgets\/q?ServiceVersion=20070822&amp;OneJS=1&amp;Operation=GetAdHtml&amp;MarketPlace=US&amp;source=ac&amp;ref=qf_sp_asin_til&amp;ad_type=product_link&amp;tracking_id=rmwhittakerco-20&amp;marketplace=amazon&amp;region=US&amp;placement=B001MT7ZEW&amp;asins=B001MT7ZEW&amp;linkId=SB7GKCTU4KIPHNXS&amp;show_border=true&amp;link_opens_in_new_window=true\" width=\"300\" height=\"150\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><br \/>\n<\/iframe><\/p>\n<p><i><b>RW<\/b>: With indie horror, it come to a point where it feels like everybody knows everybody else, and from the outside it feels like a very cohesive scene. Does it feel the same as an actor, that you\u2019re never more than three phone calls away from everyone?<\/i><\/p>\n<p><b>BM<\/b>: It\u2019s true, especially in the horror genre because there are lots of horror conventions. I hang out with some of my famous horror colleagues, five or more times a year. We hang out, compare notes, talk about directors, jobs, what\u2019s available, what we\u2019ve done. We\u2019re like dentists, but we kill people instead of drill people. It\u2019s a lot of fun to hang out, but it ends up being a real community.<\/p>\n<p><i><b>RW<\/b>: That includes knowing a lot of younger filmmakers like Adam Wingard.<\/i><\/p>\n<p><b>BM<\/b>: Adam, and Lucky McKee is another one. I guess, back in the day, Adam and Evan (Katz) were back in Birmingham, Alabama, They were young filmmakers, and they wrote and directed <i>Homesick<\/i>, and were fans of mine. I\u2019m trying to remember if it was before or after <i>House of a Thousand Corpses<\/i>, but it was right around that time. They wanted me, and they also hired Tiffany Scheppis, and so I came down, and they were very young, but it was just what I like so much. It was a very heartfelt effort, and obviously Adam is a very talented filmmaker.<br \/>\nAdam used to live not too far from me in Los Angeles, and one night a homeless guy had broken into my apartment building. It was an easy break-in, because the front door you could jimmy with a knife or even a credit card. So this homeless guy had gotten in, and all the ladies in the building had freaked out. I yelled at him, and he calmly walked out of the building. I wanted to chase him down and \u2013 I don\u2019t know if I was going to wrestle him, or hold him for the police, or do something dramatic. The guy was walking away, and I was going after him. All of a sudden, Adam Wingard walks by, and he goes, \u201cHey, man,\u201d and I go, \u201cHey, dude, I\u2019m chasing that guy,\u201d and he says, \u201cCan I come along?\u201d and I say, \u201cYeah, absolutely.\u201d<\/p>\n<p>So we\u2019re doing this slow chase. We\u2019re walking, and he\u2019s walking ahead of us, and I\u2019m on the phone to the cops, and the cops are saying, \u201cDo not engage this guy, leave him alone, get out of there.\u201d Because they\u2019d determined he hadn\u2019t killed anybody or hurt anybody, so just let him go.<\/p>\n<p>That was the second to last time I saw Adam, but I did see him at a screening of <i>The Guest<\/i>, which I really love.<\/p>\n<p>(a shorter version of this interview previously ran at <a href=\"http:\/\/www.austinchronicle.com\"target=\"_blank\">Austinchronicle.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Horror stars tend to be the polar opposite of their on screen persona, and none more so than Bill Moseley: the star of The Texas Chainsaw Massacre 2, House of 1000 Corpses, The Devil&#8217;s Rejects, Repo! The Genetic Opera, the remake of Night of the Living Dead, and dozens more, is infamously one of the &hellip; <a href=\"http:\/\/rmwhittaker.com\/index.php\/2016\/05\/07\/interview-bill-moseley-2015\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Interview: Bill Moseley (2015)<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[112],"_links":{"self":[{"href":"http:\/\/rmwhittaker.com\/index.php\/wp-json\/wp\/v2\/posts\/274"}],"collection":[{"href":"http:\/\/rmwhittaker.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/rmwhittaker.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/rmwhittaker.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/rmwhittaker.com\/index.php\/wp-json\/wp\/v2\/comments?post=274"}],"version-history":[{"count":4,"href":"http:\/\/rmwhittaker.com\/index.php\/wp-json\/wp\/v2\/posts\/274\/revisions"}],"predecessor-version":[{"id":303,"href":"http:\/\/rmwhittaker.com\/index.php\/wp-json\/wp\/v2\/posts\/274\/revisions\/303"}],"wp:attachment":[{"href":"http:\/\/rmwhittaker.com\/index.php\/wp-json\/wp\/v2\/media?parent=274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/rmwhittaker.com\/index.php\/wp-json\/wp\/v2\/categories?post=274"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/rmwhittaker.com\/index.php\/wp-json\/wp\/v2\/tags?post=274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}