Interview: Michael Tucker on The Prisoner, Or: How I Planned to Kill Tony Blair (2007)

theprisonerWhile making the Iraq-based documentary Gunner Palace in 2003, cameraman Michael Tucker was embedded with U.S. soldiers raiding what they thought was a bomb factory. What they found was four brothers in their family home – and no evidence. One brother spoke straight to Tucker’s camera. He didn’t seem angry at the soldiers in his garden but bitterly disappointed. Now Tucker tells the rest of his story.

He was Yunis Khatayer Abbas, an Iraqi journalist working for CNN and other foreign stations. He had been tortured as a dissident under Saddam Hussein and initially welcomed the Americans as liberators. He had no links to the insurgents. Yet, instead of being released, Yunis disappeared into the machinery of the occupation. For nine months, he and two of his brothers were held without charge at Camp Ganci, the low-risk section of Abu Ghraib. With the same clarity that he held the camera’s attention in Gunner Palace, Yunis explains the increasingly bizarre and terrible treatment he and his fellow inmates suffered. Yet he also praises the humanity of American guards who tried to provide some comfort to the prisoners.

(A version of this story previously appeared at AustinChronicle.com)
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Interview: Alan Ormsby

Last year’s Housecore Horror Film Festival was a celebration of an unusual talent in the history of cinema. Alan Ormsby is the definitive underground hero, a filmmaking polymath (writer, director, actor, make-up effects artist) who is beloved of hardened horror fans, but still

Children Shouldn’t Play With Dead Things (recently released on Blu-ray by VCI Entertainment) was the first in a series of Ormsby’s collaborations with Bob Clark. Two years later, Clark produced the Ed Gein-inspiredDeranged for writer/co-director Ormsby, before directing Ormsby’s script for post-Vietnam horror Deathdream. After their partnership collapsed, Ormsby went on to have a career in Hollywood, plus he designed the massively popular Hugo: Man of a Thousand Faces dress-up doll.

However, it’s his first film that is probably his most famous. Appearing in between the revolutionary Night of the Living Dead and the equally epoch-changing The Texas Chain Saw Massacre, it was a quirky outlier – satirical, gory (for the era).

(A shorter version of this interview appeared in the Austin Chronicle)

childrenshouldntposter

Richard Whittaker: You’ve been the star attraction and celebrated filmmaker at this festival. Looking back, how does it feel going back and looking at this run of your career?

Alan Ormsby: Children seems to have been around a lot. It was in drive-ins and than it was on TV for years, whereas the other two had really disappeared. I was surprised a couple of years ago to see that they had a following. They put them out on DVD and I did a commentary on Death Dream and Children and Deranged. I was amazed. Obviously, it’s had some influence, along with The Texas Chain Saw Massacre.
Continue reading Interview: Alan Ormsby