Interview: Matt Harlock and Paul Thomas on American: The Bill Hicks Story (2010)

hicksflaggagWhat’s that old saying about a prophet being despised in his homeland? Until his death in 1994, Bill Hicks was a cultural exile in the United States, a stand-up comedian both cerebral and visceral who poured fiery scorn on corruption and apathy, Reagan Republicans, and corporate whores like Jay Leno. For his effort, he was a cult performer, notoriously censored from The Late Show With David Letterman. But in Great Britain in the early 1990s, when the culturally literate stared in despair at the nation that gave the world the First Gulf War and Carrot Top, he was the best evidence for the defense. Hicks was the angry American whose fury was driven not by greed but by disappointment that things weren’t just better.

Matt Harlock, half of the team behind new documentary American: The Bill Hicks Story, explained, “I was one of the guys who was at university in the UK in the late Eighties, early Nineties, who was handed a sweaty and much-coveted bootleg” of Hicks’ work. For co-director/producer Paul Thomas, the interest was much more professional. Harlock explained, “His job for [Welsh TV broadcasters] HTV and the BBC was to find and bring on new comedians, so he came upon [Hicks] that way.”

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Review: Cropsey (2009)

cropseyDirected by Barbara Brancaccio and Joshua Zeman

Everywhere has its myth to scare kids away from the bad places. Along the border, it’s La Llorona near water. In England, it’s the boggart on the moors. On Staten Island, it’s Cropsey at the abandoned asylum. But this unnerving documentary asks: What if Cropsey is real?

The starting point here is the trial of Andre Rand, charged with the 1987 abduction and murder of 12-year-old Jennifer Schweiger on the sleepy island. But just as the community started to connect him to more missing children, and this puny outsider filled the mythical role of Cropsey for the local kids, filmmakers Brancaccio and Zeman aim broader. Their Staten Island isn’t a leafy suburb off Manhattan, but a polluted dumping ground and a secret burial ground for mob corpses.

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Review: Zoo (2007)

zooDirected by Robinson Devor

Bestiality. An act many people can scarcely comprehend how, never mind why, it’s done. But when a man died in 2003 after having sex with a horse, the quiet rural town of Enumclaw, Wash., was confronted with the trans-species taboo. In an elegiac and perturbing exploration of the events, documentary-maker Devor mixes re-enactment and audio interviews with two communities: the zoophiles, who cannot understand why they are shunned, and the families and friends that struggled to understand them.

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Review: A Serbian Film (2010)

aserbianfilmDirected by Srdjan Spasojevi´c

Starring Sergej Trifunovi´c, Srdjan Todorovi´c, Ana Saki´c

There is a good reason why this is called A Serbian Film: Only the Balkan nation of Serbia could produce this landmark of transgressive cinema. With the nation’s terrible decadelong civil war a constant and unspoken subtext, former porn star Milosh (Todorovi´c) is lured back into the industry by enigmatic producer Vukmir (Trifunovi´c). Short of cash and intrigued by the suggestion of porn as art, he finds himself duped into a hell of depravity that would make Hieronymus Bosch blanch.

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Review: Fireball (2009)

fireballDirected by Thanakorn Pongsuwan

Starring: Preeti Barameeanat 

Extreme basketball doesn’t sound like the basis of a great action movie. But just for a moment, imagine Yao Ming going for three points when he’s taking an elbow slash to the face.

Fireball may be a bybrid martial arts/sports movie, but this is no Shaolin Soccer. Instead, it’s a gritty and stunt-heavy actioneer set in the wild world of fireball, a no-holds-barred street basketball game run by the local mob bosses. Forget dribbling fouls: This is five-on-five meets muay thai, and if players die in the game, that’s just fewer team members to split the winnings.
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Review: The People Vs. George Lucas (2010)

tpvglDirected by Alexandre O. Philippe

It made sense that this documentary was preceded at its SXSW screenings by the short <i>Star Wars: Retold</i> (retold by someone who’s never seen it). Even people who have never sat through George Lucas’ epic tale of a galaxy far, far away have been touched by its cultural impact.

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Review: The Least of These (2009)

Directed by Clark Lyda and Jesse Lyda

The T. Don Hutto Residential Center has become infamous as the U.S. Immigration and Customs Enforcement facility up in Williamson County that used to house immigrant and asylum-seeking families as their appeals go through the courts. That makes Hutto a prison for children and parents, none of whom has been convicted of anything.

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Review: Made in China (2009)

Directed by Judi Krant

Starring: Jackson Kuehn, Dan Sumpter, Syna Zhang, Deng Jung

Novelties are the benchmark of a great society, proclaims starry-eyed inventor Johnson (Kuehn). But he’s no Da Vinci or Edison: His genius lies in the realm of sneezing powder, pet rocks, and Slinkies – the pieces of irrelevant crap that make someone a millionaire. Flying on a whim and a dream from Woodville, Texas (population 2,415), to Shanghai, China (population 20 million), to find someone to manufacture his closely guarded “humorous domestic hygiene product,” the sweet-natured Johnson falls under the sway of Magnus (Sumpter), an English snake-oil-dealing business consultant after his money.
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Review: Joy Division (2008)

joydivisionDirected by Grant Gee

Starring: Bernard Sumner, Peter Hook, Stephen Morris, Tony Wilson, Paul Morley

Joy Division is not a documentary about the band Joy Division. Or, rather, it’s not that simple. It’s about the English city of Manchester in the 1970s: the rain-soaked, crumbling, devastated, crime-infested and hopeless city that helped form the band and that they in turn kick-started culturally. Inevitably, it must delicately contend with the suicide of singer Ian Curtis and the still-raw wound of his relationships with his wife, Deborah, and his lover, Anik Honore.
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Review: Mandrill (2009)

mandrillDirected by  Ernesto Diaz Espinoza

Starring: Marko Zaror

For anyone that yearns for the days when heroes were cool and lantern-jawed, heroines wore cocktail dresses, and every punch sounded like a baseball bat smacking beef, fear not. Mandrill is here to kick some ass and wear a big fat tie while he’s doing it.

Mandrill (Zaror) is a hit man, the best in the business in all of Chile: But he’s also a man on a mission, seeking the one-eyed killer that slew his parents. Forget any Fugitive chest-beating: Inspired by his lascivious uncle Cheno and the cheesy Johnny Colt detective movies of his youth, he’s become a red-blooded pastiche of unflinching masculinity.

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